In-N-Out: Faithful 3D GAN Inversion with Volumetric Decomposition for Face Editing

• URL: http://arxiv.org/abs/2302.04871v4
• Date: Sun, 14 Apr 2024 23:46:05 GMT
• Title: In-N-Out: Faithful 3D GAN Inversion with Volumetric Decomposition for Face Editing
• Authors: Yiran Xu, Zhixin Shu, Cameron Smith, Seoung Wug Oh, Jia-Bin Huang,
• Abstract summary: 3D-aware GANs offer new capabilities for view synthesis while preserving the editing functionalities of their 2D counterparts. GAN inversion is a crucial step that seeks the latent code to reconstruct input images or videos, subsequently enabling diverse editing tasks through manipulation of this latent code. We address this issue by explicitly modeling OOD objects from the input in 3D-aware GANs.
• Score: 28.790900756506833
• License: http://creativecommons.org/licenses/by/4.0/
• Abstract: 3D-aware GANs offer new capabilities for view synthesis while preserving the editing functionalities of their 2D counterparts. GAN inversion is a crucial step that seeks the latent code to reconstruct input images or videos, subsequently enabling diverse editing tasks through manipulation of this latent code. However, a model pre-trained on a particular dataset (e.g., FFHQ) often has difficulty reconstructing images with out-of-distribution (OOD) objects such as faces with heavy make-up or occluding objects. We address this issue by explicitly modeling OOD objects from the input in 3D-aware GANs. Our core idea is to represent the image using two individual neural radiance fields: one for the in-distribution content and the other for the out-of-distribution object. The final reconstruction is achieved by optimizing the composition of these two radiance fields with carefully designed regularization. We demonstrate that our explicit decomposition alleviates the inherent trade-off between reconstruction fidelity and editability. We evaluate reconstruction accuracy and editability of our method on challenging real face images and videos and showcase favorable results against other baselines.

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