Unlocking Potential in Pre-Trained Music Language Models for Versatile Multi-Track Music Arrangement
- URL: http://arxiv.org/abs/2408.15176v1
- Date: Tue, 27 Aug 2024 16:18:51 GMT
- Title: Unlocking Potential in Pre-Trained Music Language Models for Versatile Multi-Track Music Arrangement
- Authors: Longshen Ou, Jingwei Zhao, Ziyu Wang, Gus Xia, Ye Wang,
- Abstract summary: We propose a unified sequence-to-sequence framework that enables the fine-tuning of a symbolic music language model.
Our experiments demonstrate that the proposed approach consistently achieves higher musical quality compared to task-specific baselines.
- Score: 10.714947060480426
- License: http://arxiv.org/licenses/nonexclusive-distrib/1.0/
- Abstract: Large language models have shown significant capabilities across various domains, including symbolic music generation. However, leveraging these pre-trained models for controllable music arrangement tasks, each requiring different forms of musical information as control, remains a novel challenge. In this paper, we propose a unified sequence-to-sequence framework that enables the fine-tuning of a symbolic music language model for multiple multi-track arrangement tasks, including band arrangement, piano reduction, drum arrangement, and voice separation. Our experiments demonstrate that the proposed approach consistently achieves higher musical quality compared to task-specific baselines across all four tasks. Furthermore, through additional experiments on probing analysis, we show the pre-training phase equips the model with essential knowledge to understand musical conditions, which is hard to acquired solely through task-specific fine-tuning.
Related papers
- Extending Visual Dynamics for Video-to-Music Generation [51.274561293909926]
DyViM is a novel framework to enhance dynamics modeling for video-to-music generation.
High-level semantics are conveyed through a cross-attention mechanism.
Experiments demonstrate DyViM's superiority over state-of-the-art (SOTA) methods.
arXiv Detail & Related papers (2025-04-10T09:47:26Z) - MuseBarControl: Enhancing Fine-Grained Control in Symbolic Music Generation through Pre-Training and Counterfactual Loss [51.85076222868963]
We introduce a pre-training task designed to link control signals directly with corresponding musical tokens.
We then implement a novel counterfactual loss that promotes better alignment between the generated music and the control prompts.
arXiv Detail & Related papers (2024-07-05T08:08:22Z) - ComposerX: Multi-Agent Symbolic Music Composition with LLMs [51.68908082829048]
Music composition is a complex task that requires abilities to understand and generate information with long dependency and harmony constraints.
Current LLMs easily fail in this task, generating ill-written music even when equipped with modern techniques like In-Context-Learning and Chain-of-Thoughts.
We propose ComposerX, an agent-based symbolic music generation framework.
arXiv Detail & Related papers (2024-04-28T06:17:42Z) - MuPT: A Generative Symbolic Music Pretrained Transformer [56.09299510129221]
We explore the application of Large Language Models (LLMs) to the pre-training of music.
To address the challenges associated with misaligned measures from different tracks during generation, we propose a Synchronized Multi-Track ABC Notation (SMT-ABC Notation)
Our contributions include a series of models capable of handling up to 8192 tokens, covering 90% of the symbolic music data in our training set.
arXiv Detail & Related papers (2024-04-09T15:35:52Z) - Qwen-Audio: Advancing Universal Audio Understanding via Unified
Large-Scale Audio-Language Models [98.34889301515412]
We develop the Qwen-Audio model and address the limitation by scaling up audio-language pre-training to cover over 30 tasks and various audio types.
Qwen-Audio achieves impressive performance across diverse benchmark tasks without requiring any task-specific fine-tuning.
We further develop Qwen-Audio-Chat, which allows for input from various audios and text inputs, enabling multi-turn dialogues and supporting various audio-central scenarios.
arXiv Detail & Related papers (2023-11-14T05:34:50Z) - JEN-1 Composer: A Unified Framework for High-Fidelity Multi-Track Music Generation [18.979064278674276]
JEN-1 Composer is designed to efficiently model marginal, conditional, and joint distributions over multi-track music.
We introduce a progressive curriculum training strategy, which gradually escalates the difficulty of training tasks.
Our approach demonstrates state-of-the-art performance in controllable and high-fidelity multi-track music synthesis.
arXiv Detail & Related papers (2023-10-29T22:51:49Z) - Structured Multi-Track Accompaniment Arrangement via Style Prior Modelling [9.489311894706765]
In this paper, we introduce a novel system that leverages prior modelling over disentangled style factors to address these challenges.
Our key design is the use of vector quantization and a unique multi-stream Transformer to model the long-term flow of the orchestration style.
We show that our system achieves superior coherence, structure, and overall arrangement quality compared to existing baselines.
arXiv Detail & Related papers (2023-10-25T03:30:37Z) - Performance Conditioning for Diffusion-Based Multi-Instrument Music
Synthesis [15.670399197114012]
We propose enhancing control of multi-instrument synthesis by conditioning a generative model on a specific performance and recording environment.
Performance conditioning is a tool indicating the generative model to synthesize music with style and timbre of specific instruments taken from specific performances.
Our prototype is evaluated using uncurated performances with diverse instrumentation and state-of-the-art FAD realism scores.
arXiv Detail & Related papers (2023-09-21T17:44:57Z) - MERT: Acoustic Music Understanding Model with Large-Scale Self-supervised Training [74.32603591331718]
We propose an acoustic Music undERstanding model with large-scale self-supervised Training (MERT), which incorporates teacher models to provide pseudo labels in the masked language modelling (MLM) style acoustic pre-training.
Experimental results indicate that our model can generalise and perform well on 14 music understanding tasks and attain state-of-the-art (SOTA) overall scores.
arXiv Detail & Related papers (2023-05-31T18:27:43Z) - GETMusic: Generating Any Music Tracks with a Unified Representation and
Diffusion Framework [58.64512825534638]
Symbolic music generation aims to create musical notes, which can help users compose music.
We introduce a framework known as GETMusic, with GET'' standing for GEnerate music Tracks''
GETScore represents musical notes as tokens and organizes tokens in a 2D structure, with tracks stacked vertically and progressing horizontally over time.
Our proposed representation, coupled with the non-autoregressive generative model, empowers GETMusic to generate music with any arbitrary source-target track combinations.
arXiv Detail & Related papers (2023-05-18T09:53:23Z) - Exploring the Efficacy of Pre-trained Checkpoints in Text-to-Music
Generation Task [86.72661027591394]
We generate complete and semantically consistent symbolic music scores from text descriptions.
We explore the efficacy of using publicly available checkpoints for natural language processing in the task of text-to-music generation.
Our experimental results show that the improvement from using pre-trained checkpoints is statistically significant in terms of BLEU score and edit distance similarity.
arXiv Detail & Related papers (2022-11-21T07:19:17Z) - Supervised and Unsupervised Learning of Audio Representations for Music
Understanding [9.239657838690226]
We show how the domain of pre-training datasets affects the adequacy of the resulting audio embeddings for downstream tasks.
We show that models trained via supervised learning on large-scale expert-annotated music datasets achieve state-of-the-art performance.
arXiv Detail & Related papers (2022-10-07T20:07:35Z) - Learning music audio representations via weak language supervision [14.335950077921435]
We design a multimodal architecture for music and language pre-training (MuLaP) optimised via a set of proxy tasks.
weak supervision is provided in the form of noisy natural language descriptions conveying the overall musical content of the track.
We demonstrate the usefulness of our approach by comparing the performance of audio representations produced by the same audio backbone with different training strategies.
arXiv Detail & Related papers (2021-12-08T10:30:52Z) - A framework to compare music generative models using automatic
evaluation metrics extended to rhythm [69.2737664640826]
This paper takes the framework proposed in a previous research that did not consider rhythm to make a series of design decisions, then, rhythm support is added to evaluate the performance of two RNN memory cells in the creation of monophonic music.
The model considers the handling of music transposition and the framework evaluates the quality of the generated pieces using automatic quantitative metrics based on geometry which have rhythm support added as well.
arXiv Detail & Related papers (2021-01-19T15:04:46Z) - Sequence Generation using Deep Recurrent Networks and Embeddings: A
study case in music [69.2737664640826]
This paper evaluates different types of memory mechanisms (memory cells) and analyses their performance in the field of music composition.
A set of quantitative metrics is presented to evaluate the performance of the proposed architecture automatically.
arXiv Detail & Related papers (2020-12-02T14:19:19Z) - Music Gesture for Visual Sound Separation [121.36275456396075]
"Music Gesture" is a keypoint-based structured representation to explicitly model the body and finger movements of musicians when they perform music.
We first adopt a context-aware graph network to integrate visual semantic context with body dynamics, and then apply an audio-visual fusion model to associate body movements with the corresponding audio signals.
arXiv Detail & Related papers (2020-04-20T17:53:46Z) - Continuous Melody Generation via Disentangled Short-Term Representations
and Structural Conditions [14.786601824794369]
We present a model for composing melodies given a user specified symbolic scenario combined with a previous music context.
Our model is capable of generating long melodies by regarding 8-beat note sequences as basic units, and shares consistent rhythm pattern structure with another specific song.
Results show that the music generated by our model tends to have salient repetition structures, rich motives, and stable rhythm patterns.
arXiv Detail & Related papers (2020-02-05T06:23:44Z) - Modeling Musical Structure with Artificial Neural Networks [0.0]
I explore the application of artificial neural networks to different aspects of musical structure modeling.
I show how a connectionist model, the Gated Autoencoder (GAE), can be employed to learn transformations between musical fragments.
I propose a special predictive training of the GAE, which yields a representation of polyphonic music as a sequence of intervals.
arXiv Detail & Related papers (2020-01-06T18:35:57Z)
This list is automatically generated from the titles and abstracts of the papers in this site.
This site does not guarantee the quality of this site (including all information) and is not responsible for any consequences.