Semi-Supervised Self-Learning Enhanced Music Emotion Recognition
- URL: http://arxiv.org/abs/2410.21897v1
- Date: Tue, 29 Oct 2024 09:42:07 GMT
- Title: Semi-Supervised Self-Learning Enhanced Music Emotion Recognition
- Authors: Yifu Sun, Xulong Zhang, Monan Zhou, Wei Li,
- Abstract summary: Music emotion recognition (MER) aims to identify the emotions conveyed in a given musical piece.
Currently, the available public datasets have limited sample sizes.
We propose a semi-supervised self-learning (SSSL) method, which can differentiate between samples with correct and incorrect labels in a self-learning manner.
- Score: 6.315220462630698
- License:
- Abstract: Music emotion recognition (MER) aims to identify the emotions conveyed in a given musical piece. But currently in the field of MER, the available public datasets have limited sample sizes. Recently, segment-based methods for emotion-related tasks have been proposed, which train backbone networks on shorter segments instead of entire audio clips, thereby naturally augmenting training samples without requiring additional resources. Then, the predicted segment-level results are aggregated to obtain the entire song prediction. The most commonly used method is that segment inherits the label of the clip containing it, but music emotion is not constant during the whole clip. Doing so will introduce label noise and make the training overfit easily. To handle the noisy label issue, we propose a semi-supervised self-learning (SSSL) method, which can differentiate between samples with correct and incorrect labels in a self-learning manner, thus effectively utilizing the augmented segment-level data. Experiments on three public emotional datasets demonstrate that the proposed method can achieve better or comparable performance.
Related papers
- Virtual Category Learning: A Semi-Supervised Learning Method for Dense
Prediction with Extremely Limited Labels [63.16824565919966]
This paper proposes to use confusing samples proactively without label correction.
A Virtual Category (VC) is assigned to each confusing sample in such a way that it can safely contribute to the model optimisation.
Our intriguing findings highlight the usage of VC learning in dense vision tasks.
arXiv Detail & Related papers (2023-12-02T16:23:52Z) - Modelling Emotion Dynamics in Song Lyrics with State Space Models [4.18804572788063]
We propose a method to predict emotion dynamics in song lyrics without song-level supervision.
Our experiments show that applying our method consistently improves the performance of sentence-level baselines without requiring any annotated songs.
arXiv Detail & Related papers (2022-10-17T21:07:23Z) - Multimodal Emotion Recognition with Modality-Pairwise Unsupervised
Contrastive Loss [80.79641247882012]
We focus on unsupervised feature learning for Multimodal Emotion Recognition (MER)
We consider discrete emotions, and as modalities text, audio and vision are used.
Our method, as being based on contrastive loss between pairwise modalities, is the first attempt in MER literature.
arXiv Detail & Related papers (2022-07-23T10:11:24Z) - Contrastive Learning with Positive-Negative Frame Mask for Music
Representation [91.44187939465948]
This paper proposes a novel Positive-nEgative frame mask for Music Representation based on the contrastive learning framework, abbreviated as PEMR.
We devise a novel contrastive learning objective to accommodate both self-augmented positives/negatives sampled from the same music.
arXiv Detail & Related papers (2022-03-17T07:11:42Z) - A Novel Multi-Task Learning Method for Symbolic Music Emotion
Recognition [76.65908232134203]
Symbolic Music Emotion Recognition(SMER) is to predict music emotion from symbolic data, such as MIDI and MusicXML.
In this paper, we present a simple multi-task framework for SMER, which incorporates the emotion recognition task with other emotion-related auxiliary tasks.
arXiv Detail & Related papers (2022-01-15T07:45:10Z) - Unsupervised Learning of Deep Features for Music Segmentation [8.528384027684192]
Music segmentation is a problem of identifying boundaries between, and labeling, distinct music segments.
The performance of a range of music segmentation algorithms has been dependent on the audio features chosen to represent the audio.
In this work, unsupervised training of deep feature embeddings using convolutional neural networks (CNNs) is explored for music segmentation.
arXiv Detail & Related papers (2021-08-30T01:55:44Z) - Musical Prosody-Driven Emotion Classification: Interpreting Vocalists
Portrayal of Emotions Through Machine Learning [0.0]
The role of musical prosody remains under-explored despite several studies demonstrating a strong connection between prosody and emotion.
In this study, we restrict the input of traditional machine learning algorithms to the features of musical prosody.
We utilize a methodology for individual data collection from vocalists, and personal ground truth labeling by the artist themselves.
arXiv Detail & Related papers (2021-06-04T15:40:19Z) - Deep Semi-supervised Knowledge Distillation for Overlapping Cervical
Cell Instance Segmentation [54.49894381464853]
We propose to leverage both labeled and unlabeled data for instance segmentation with improved accuracy by knowledge distillation.
We propose a novel Mask-guided Mean Teacher framework with Perturbation-sensitive Sample Mining.
Experiments show that the proposed method improves the performance significantly compared with the supervised method learned from labeled data only.
arXiv Detail & Related papers (2020-07-21T13:27:09Z) - Music Gesture for Visual Sound Separation [121.36275456396075]
"Music Gesture" is a keypoint-based structured representation to explicitly model the body and finger movements of musicians when they perform music.
We first adopt a context-aware graph network to integrate visual semantic context with body dynamics, and then apply an audio-visual fusion model to associate body movements with the corresponding audio signals.
arXiv Detail & Related papers (2020-04-20T17:53:46Z)
This list is automatically generated from the titles and abstracts of the papers in this site.
This site does not guarantee the quality of this site (including all information) and is not responsible for any consequences.